Matilde Urbach, “Llegir els clàssics” Virtual Book Club (2021)

Pedro Eiras, Trilogy: Inferno (2020), Purgatorio (2021), Paraíso (2022)

Lorenzo Coveri, “Dantedì 2021. Cantare Dante, da Petrolini a De André, da Jovanotti a Fedez, tra rock e poesia” (2021)

Lorenzo Coveri, “Dante700: di tutto un pop” (2021)

Carlo Pulsoni, “Un correttore molto scrupoloso: Capitini lettore di Dante (e di Contini)” (2021)

Alexandra Lawrence, “Best Dante Books: A Deep Dive Into The Medieval Poet” (2021)

Claudio Marazzini and Elisa Bianchini, “La parola di Dante, uno squarcio sul mondo” (2021)

Robert Cohen, “Letter: Riding MetroLink is like a descent into Dante’s Inferno“ (2021)

Giovanna Frosini and Federico Pani, “Così nasce una lingua, l’intervista a Giovanna Frosini su come Dante inventò l’italiano” (2021)

Simona Maria Frigerio, “L’italiano è figlio della Commedia?” (2021)

Michael Glover, “Why is Dante the Florentine still present with us 700 years after his death?” (2021)

Dwight Garner, “‘Tom Stoppard’ Tells of an Enormous Life Spent in Constant Motion” (2021)

Madison Sowell, “We are living in Dante’s Inferno: Here’s Our Way Out” (2021)

The Guardian, “The Guardian’s Opinion: Dante’s Heavenly Wisdom For Our Troubled Times” (2021)

Alison Flood, “Dante’s Descendant Seeks to Overturn Poet’s 1302 Corruption Conviction” (2021)